The Role of the Least Aspected Planet in Astrocartography.

Planetary Symbolism in Astrocartography and Transcendental Astrology,

by Rob Couteau.

Astrocartography home


Venus = 031
Mercury = 112
Saturn = 121
Uranus = 211
Pluto = 211
Jupiter = 301
Mars = 312
Neptune = 330
Moon = 410
Sun = 510

[Least-aspected Venus]

The happiest moments of my life have been in Tahiti. If I’ve ever come close to finding genuine peace, it was on my island among the Tahitians.

Tahiti has exerted a force over me since I was a teenager. It began in the library at Shattuck [Faribault, MN; 44N18; 93W16], when I used to thumb through the National Geographic, and it continued after I went to New York and searched libraries for any book that men­tioned Tahiti and combed the film archives at the Museum of Modern Art looking for images of Polynesia.

From the moment I saw it, reality surpassed even my fantasies about Tahiti, and I had some of the best times of my life making Mutiny on the Bounty.
–Marlon Brando, Songs My Mother Taught Me.

Marlon studies, he reads for hours … Knowledge of almost any kind fascinates him and he carries its lure to you. -George Englund, The Way It's Never Been Done Before. My Friendship with Marlon Brando.

Marlon Brando

One of Hollywood’s most “charismatic” and “creative talents” (Primary Venus) and perhaps the most “skillful / and “gifted” (Mercury / Venus) actor of the century, Marlon Brando was born in a Primary Location in Omaha, Nebraska, near the setting position of his Primary Venus. Brando achieved recognition for his portrayal of Stanley Kowalski in the Broadway production of A Streetcar Named Desire (1947); he then went on to make Hollywood classics such as The Wild One (1953), On the Waterfront (1954), and The Godfather (1972), the last two films winning him Academy Awards.

        In Tahiti, during the production of Mutiny on the Bounty (1962), Brando was unwit­tingly exposed to a powerful Transcendental Midpoint-Field that framed French Polyne­sian in its entirety. While working on the film, Brando befriended a Tahitian woman, Tarita, who bore him a son, Simon Teihotu, and a daughter, Tarita Cheyenne. He later withdrew from American culture and relocated to a South Pacific home on the Polynesian atoll, Teti’aroa. Significantly, these locations lie directly under the midpoint-field of all three of his Transcendentals: Primary Venus (setting), Secondary Mercury (set­ting), and Tertiary Saturn (rising).
        The combination of Primary Venus and Secondary Mercury as key Transcendentals seems particularly appropriate here, especially when we consider the classic Brando per­sona: a “lazy, food- and pleasure-loving, overindulgent sensualist” (Primary Venus) who often cast himself as the “charming / know-it-all” (Primary Venus / Secondary Mercury). According to the memoirs of Anna Kashfi (Brando’s first wife), Brando’s so-called philos­ophy, while aspiring to Jupiterian heights, is actually rather “plebeian” (Mercury) and is occasionally eclipsed by his “sensual appetites” (Primary Venus. Indeed, the Venusian theme of “sensual self-indulgence” appears in many of the legendary tales of Brando’s escapades.) “Artful and gifted / with a mercurial wit” (Venus / Mercury) is probably the most fitting equation.
        As the planet that symbolizes the creative muse, Venus is a particularly appropriate Transcendental for this extraordinarily talented actor. At his best, Brando effused a “creative splendor”: “carefully balancing” each dramatic gesture with stunning “symmetry and form.” One of the few true “artists” of the cinema, his “ability to communicate / in an elegant, majestic, highly creative manner” (Secondary Mercury / Primary Venus) exemplifies such classic Venus / Mercury symbolism.





Revised & updated: 1 January 2012


To obtain your own astro-map & analysis, please inquire here.



Role of the Least-aspected Planet in Astrocartography




Some of the awards received for
'The Role of the Least-aspected Planet in Astrocartography.'



To obtain your own astro-map & analysis, please inquire here.

I. Introduction

II. Transcendental Biographies    |    III. Transcendental Events

IV. Psychic inflation    -    Summary of Planetary Symbolism    -    Transcendental Planets        

V. Nodes / the Triple-zero Transcendental    |    Appendices: Orbs / References / Data

Additional Maps    |    Bibliography    |    FAQ



I. Interview in Astrolore    |    II. Transcendental Nations    |    III. American Presidents & LAP Saturn

IV. World Events    |    V. Numinous Consciousness    

VI. The LAP as a metaphor of the soul    |    VII. Zones of Intensity    |    

VIII. Complete Index of Names and Events



All text © Copyright 2012 Rob Couteau and cannot be used without the written and expressed consent of the author. Key words: astrocartography, Astrocartography maps, Marlon Brando, astrology, biography, Biography of Marlon Brando, film, cinema, astro maps Marlon Brando astrocartography